
"Simply Unedited"
Raleigh, NC - October 2008 (Click to embiggen)
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This week's Thematic Photographic theme is "Simple". As in simple object, simple(r) times... you get the drift.
While neither of these is as rudimentary as my Dad's old Box Brownie (which nobody seems to know the whereabouts of -- curse the luck!) they both represent a
much simpler type of camera than the one that photographed them. On the right is my grandfather's 35mm Fujica, which I can tell you almost nothing about other than it survived both the Korean and Vietnam wars. I never shot it, but after he passed away when my mom asked if there was anything of his I particularly wanted before she held the estate sale, this was the only thing on my list. I still haven't shot it, and probably never will. And while it may have some collector value one day when people ask "What's 'film'?" it really only has value to me. I'd love to hear the stories it could tell.
Cozied up next to the Fujica is the box you can blame for all the photos you have to sift through on this blog. That, friends, is the first camera I ever owned -- a Kodak Instamatic. (Show of hands: how many of you remember
flashcubes?) I got it for Christmas in 1966, and it's responsible for getting this beer truck careening down the hill. As inelegant as it might look, these cameras took what was almost medium format film -- in cartridges rather than rolls, but still a hefty sized negative (or is it that I just
remember it being so big because I ... wasn't so big?). If Kodak had put a decent lens on the front, they'd have gotten some truly amazing shots. I used this very camera until probably 1982 right after my oldest son was born. I actually have photos of him taken with it. (I can tell from the print size and aspect ratio that they must have been shot with this camera.)
Ironically, though the cameras were simpler, using them was proportionally more complex. "Auto" settings meant either "You can't adjust anything, so don't bother trying" in the case of the Instamatic or "I'll automatically tell you how much light you've got so you can figure out how to expose this shot" in the case of the Fujica. The Fujica did have a built in meter (if you look closely you can see the aperture for it just above the lens barrel) but all it did was keep you from having to carry a hand held meter. The Kodak didn't bother with a meter since it was only about a step and a half away from being a pinhole camera anyway. In both cases, you had to do all the thinking on your own. Auto exposure -- at least for the consumer market -- was still years off. Auto focus, perhaps a little closer, but not much. So shooting these was an exercise in either knowing what you were doing, or a lot of trial and error. And guessing. Or just getting lucky. Which is what happened a lot of times with that six-year-old kid who used to proudly snap away with the Kodak.
Come to think of it, it
still happens that way a lot more often than you'll get me to admit.
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